- About Us
- Visiting Toronto
- Contact Us
Carmen Souza was born in Lisbon (81) within a Christian family of Cape Verdeans. She grew up in a mixed language environment of Creole, the Cape Verde dialect her parents spoke at home, and Portuguese, always surrounded by the Cape Verdean way of life.
In her teens she sang professionally in a Lusophone Gospel Choir. Being a strongly spiritual person, Carmen always saw music as her mission and felt privileged to have the opportunity to express herself through it, working hard every day to deserve that opportunity. Musicians like Luis Morais, Theo Pas'cal, Ella Fitzgerald, Joe Zawinul, Herbie Hancock, Keith Jarret, Diana Krall, etc, are definitely those that truly inspire her evolution and search for a unique personal style.
Theo Pas'cal, her producer and mentor and one of the best bass players in Portugal, discovered her talent and introduced Carmen to Jazz, Fusion and other contemporary sounds that markedly influenced her musical development.
In 2003, Carmen began working with Theo on the compositions that would be included on her début album Ess ê nha Cabo Verde. Carmen wanted to create a new sound, in her ancestor’s dialect Creole, that would mix traditional African and Cape Verde rhythms like Batuke, Morna, Cola djon, and others, with her jazz contemporary influences, in a totally intimate and acoustic vibe, different from the traditional festive environment of Cape Verdean sounds.
Ess ê nha Cabo Verde, was released two years later in 2005 to critical acclaim and led to her international breakthrough performance at the WOMAD at Reading Festival of the same year.
In “Verdade” her second album, which She co-produces and features on Wurlitzer and guitar, released in 2008, Carmen Souza signs an exciting and melodically vibrant repertoire in Creole that once again received amazing reviews from the International Press worldwide.
After 2 critically acclaimed albums, Carmen Souza returns in 2010 with the impressive "Protegid" (Protected) that blends perfectly with elegance and sophistication the African and Cape Verdean traditional rhythms with Contemporary Jazz and Afro-Latin. Once again the two composers, Carmen Souza and Theo Pas’cal, present an album that pushes even more the limits of what constitutes the Cape Verdean music, World Music and Jazz. Carmen co-produces, plays guitar, Rhodes and signs 11 out of the 12 lyrics of the album.
In Protegid, Carmen Souza singular vocal approach and courageous musical chooses have earn her pairing with singers like Billie Holiday. Her Unique talent as a singer, composer and musician sets her apart from the female crowded Cape Verdean scene and progressively she is consolidating her own space in the World Music/Jazz music.
This new album is receiving outstanding reviews from all over the World and the Press recognizes that something new is being developed in her music. World Music Central consider the album: “a landmark that will prompt you to embrace and at the same time rethink everything you know and love about the sounds of Cape Verde”, NPR says: “opens a window to another world entirely” and The Independent declares: “the poetic voice is as original as the musical one”.
Protegid also receives a nomination for the German Record Critic’s Award, and enters the WMCE in April. A new edition of Verdade, her second album recently released by Galileo, also enters the WMCE in August.
Carmen Souza have been touring extensively around the World since 2005 and this year she plays at big stages like The North Sea Jazz Festival(NL), London African Music Festival(UK) or the Leverkusener Jazztage Festival(DE), among others, leaving a trace of deadly captivating performances with her unmistakably female, but dark, deep and earthy voice.
Her concerts are broadcasted by major TV/Radio Channels like CBC (CA), RDP (PT), WDR (DE), RADIO6(NL), etc, and her uniqueness is recognized by Ethnomusicologists Gerhard Kubik and Fernando Arenas. A closer look into Carmen Souza groundbreaking work will be included in a new book called “Beyond Independence: Globalization, Postcolonialism, and the Cultures of Lusophone Africa” by Fernando Arenas released by the University of Minnesota (USA).
“Carmen Souza sings in her native creole dialect with an intimacy, sensuality, and vivacity, characterised by a tremendous lightness of touch. Her music has a deceptive simplicity, a rare clarity, derived from a unique mix of influences from her Cape Verdean background to jazz and modern soul creating this beautifully vibrant, largely acoustic, accessible hybrid. World soul music for the 21st century.” David Sylvian