Just like keyboardist Neal Evans’ two hands—simultaneously pumping out the low end and reaching for those oscillating high notes—organ trio Soulive has spent the last decade balancing a reverence for the past with a conviction to push music into its own funky future.

When brothers Neal and Alan Evans first invited guitarist Eric Krasno to get down at their Woodstock, NY studio (a session that led to the trio’s break-out record Get Down! in 1999), it was out of mutual love for the great soul-jazz organ trios of the ’60s and ’70s (Jimmy Smith, Groove Holmes, Brother Jack McDuff). Now, a decade into the band’s career, which has seen forays into hip-hop, reggae, R&B, blues, rock and soul, eras featuring horns and a vocalist, and collaborations with artists as diverse as Derek Trucks, Joshua Redman, Robert Randolph and Talib Kweli, it was another shared love that brought the trio to drummer Alan’s Playonbrother Studio to record their latest, Rubber Soulive.

One decade young, Soulive is not a band to look backward, but when they do they look way back. With a quiver full of Beatles tunes and the lineup that put them on the forefront of the soul jazz revival, Soulive is grooving harder than ever. And with a fall tour on the horizon, it looks like things are starting to, ahem, “Come Together” right now all over again.

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