Welcome to the Artistic Director's Guide

The Artistic Director's Guide is our way of taking you "beyond the bio". Here you'll find audio and video clips, and I'll describe what I like about each artist and suggest why he or she is important to the scene. So dive in—use the menu options above to find an artist, and let's seek to answer "What's so good about...?"

Josh Grossman, Artistic Director
Toronto Downtown Jazz

What's so good about Roy Hargrove?

Before we begin, I must reveal my bias. I'm a trumpet player. And so any other trumpet player with outstanding sound and technique is going to rank fairly high on my list. But that's not all that's good about Roy Hargrove...

What's so good about the Count Basie Orchestra?

I've mused in past Artistic Director's Guide entries on the concept of swing, and how it's difficult to explain - it's really more of a feeling. Or, in the case of the Count Basie Orchestra, it's everything that happens between the beginning and ending of every performance of every tune.

What's so funky about Bootsy Collins?

Artist: 
Bootsy Collins

I'm going to suggest that everything you need to know about Bootsy Collins' funk pedigree can be summed up in two words. Well, one name, really: James Brown. I would think that touring with the "hardest working man in show business" might teach a musician a thing or two about funk. But, in case more proof of Bootsy's funkiness is required, I point you to his multiple gold and platinum hit records with George Clinton and Parliament Funkadelic.

What's so good about Los Lobos?

Artist: 
Los Lobos

I admit it - when I thought about Los Lobos, I immediately thought about that one song. You know, from that movie. (More on that later.) But Los Lobos, who has been together for nearly 40 years - with the same personnel for more nearly three decades - is so much more than a one-hit wonder. They have earned international acclaim (not to mention multiple Grammy awards) for their hybrid of traditional regional Mexican folk music, rock and roll, blues, R&B and country (among others!).

What's so good about Los Lonely Boys?

Artist: 
Los Lonely Boys

In today's musical climate, with synthesized instruments and auto-tune running rampant, Los Lonely Boys represents the epitome of music-making: outstanding playing with no trickery - just great melodies, great harmonies and fiery solos. The Boys are everything that I like about live music.

What's so good about Stax?

Stax Records was, without exaggeration, one of the most important record labels in the development of soul music in the United States. Established in 1959 in Memphis, the label made its mark by producing outstanding music and by flouting the racial segregation of the times - Stax was concerned about the quality of the music, not about the skin colour of the musicians. Over its initial 16-year run, Stax produced records by Otis Redding, Isaac Hayes, the Staples Singers, Wilson Pickett and Eddie Floyd, among many others. Here's a brief history of Stax:

What's so good about the Average White Band?

Artist: 
Average White Band

In high school, playing in stage band under the direction of Jerry Dmytryshyn, I got to play all kinds of great arrangements, spanning a wide range of musical genres - jazz, rock, swing and funk. One of the grooviest tunes I remember playing was Pick up the Pieces...but it wasn't until after I had finished high school that I realized who had originally recorded that tune. And when I did, I had one of those "Oh THAT'S who those guys are...they must be good..." moments.

What's so good about Billy's Band?

Artist: 
Billy's Band

I can sum up why I like Billy's Band in two words: musical mayhem.

Every once in a while, it's fun to just let loose: ignore the rules, pay no attention to how we're supposed to act on stage, forgot what we were taught about musical technique...and it's amazing how good the music can be when that happens. Billy's Band is a great example.

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