These Millennials Are Shaking Up The Jazz World

If the array of fresh faces in these images surprises you, well it shouldn't. Jazz has always been a young person's game. Two of the greatest innovators in the history of jazz, Louis Armstrong and Charlie Parker, were both in their mid-20s when they made their breakthroughs, the ones that changed the music for all time. And most sidemen in the Big Band era were college-age.

So, what makes jazz - which is hot, hot, hot these days and nights - so different in the second decade of its second century? Once again, young musicians (whether first exposed via Youtube or one of the myriad high-school programs that have sprouted across the land like clover) are taking the lead and flocking to jazz. But now they're doing so in a way that's linked to the genre's 100-year history and, at the same time, completely unique to the current generation.

With a nod to this youth movement, we've defined the start of the contemporary era as 1981, when Wynton Marsalis - the 21st-century ambassador of jazz - recorded his eponymous first album. And every musician pictured on these pages was, in fact, born in or after that auspicious year. (This explains the absence of various thirtysomething standouts, such as Edmar Castaneda, Alexis Cole, Jamie Cullum, Robert Glasper, Mary Halvorson, Hiromi, Derrick Hodge, Jose James, Irvin Mayfield, Gretchen Parlato, Jenny Scheinnman, Marcus Strickland, Sachal Vasandani, Warren Wolf, and Miguel Zenon, among others. Anat Cohen and Jason Moran - both utterly remarkable - just hit 40) The tempo has even picked up. In the month since these photos were taken (as the 36 virtuosos captured here have zigged and zagged through New York en route to far-flung concert dates), there has been a parade of other young talents who have come to our attention .

It is important to note that both the music itself and the ways in which it’s being heard are much more open-ended than ever before. In the 1980s, when Marsalis ignited the hard-bop revival and what we now call the “Young Lions” era, it seemed like nearly every promising novice was playing as if he were auditioning for Miles Davis or John Coltrane. Thirty years later, things are much less predictable: you walk into a club in, say, Austin or Portland, or any of the dozens of venues that are currently hopping in New York City, and a 25-year-old might be playing music that reflects the absorbed influence of Monk, Stockhausen, or Django Reinhardt. Their styles and shadings come from jazz’s countless offshoots and from every continent.

To read the rest of this article and view the gallery of musicians, visit Vanity Fair .

Photo Credit: Mark Seliger

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