Colin Stetson was born and raised in Ann Arbor, spent a decade in San Francisco and Brooklyn honing his formidable talents as a horn player, eventually settling in Montreal in 2007. Over the years he has worked extensively, live and in studio, with a wide range of bands and musicians including Tom Waits, Arcade Fire, Bon Iver, TV On The Radio, Feist, Laurie Anderson, Lou Reed, Bill Laswell, Evan Parker, The Chemical Brothers, Animal Collective, Hamid Drake, LCD Soundsystem, The National, Angelique Kidjo, Fink, and David Gilmore. Meanwhile he has developed an utterly unique voice as a soloist, principally on saxophones and clarinets, his intense technical prowess matched by his exhilarating and emotionally gripping skills as a songwriter. Stetson’s astounding physical engagement with his instruments (chiefly bass and alto saxophones) produces emotionally rich and polyphonic compositions that transcend expectations of what solo horn playing can sound like. Stemming from that approach and aesthetic, he has been contributing regularly to the world of film, TV, and game scoring over the past decade with such titles as Hereditary, The First, Red Dead Redemption 2, and Color Out of Space.
Cheldon Paterson is SlowPitchSound (slowpitchsound.com), an award winning Toronto-based composer, mentor, and explorer of sound & visuals. He has collaborated with creators from a wide range of disciplines including opera, jazz, classical, electronic music, theatre and dance. His unique style of music production, self proclaimed as "scifi-turntablism", has graced stages around the world including Canada, Australia, USA, United Kingdom and Sweden. With a passion for depth and detail in his work, Cheldon is heavily inspired by nature, outer space, and dystopian sci-fi. Cheldon’s unique approach to making music includes turntablism, sample manipulation, and field recordings. Recently making a shift into the world of live theatre, Cheldon has been nominated for a DORA award for Outstanding Sound Design / Composition).colinstetson.com/